The film’s bubblegum animation further prefigures a warmer story for Batman than usual, one that matches the overflow of villains with a host of eager allies. The hero’s intelligence and quick thinking also play into the self-referentiality of the Lego conceit, showing off his ability to construct useful vehicles and gadgets within seconds to respond to various threats. The vivid color palettes that serve as a backdrop here make a point of divorcing Batman from his surroundings, so that he stands out as an aberration and not as a logical fixture of Gotham. A running theme of contemporary Batman stories is the effect that his own presence has in attracting and escalating conflict within Gotham City, and that idea is taken to a literal extreme here when Joker concocts a convoluted, chaotic plan solely to be validated by his enemy’s attention.īatman’s lack of superpowers has made him a popular choice for live-action adaptations, but the ease with which this film gathers so many villains for the opening sequence is a testament that the character and his world benefit from animation more than many of his costumed peers. So self-centered is this Caped Crusader that he drives the Joker (Zach Galifianakis) to utter bewilderment, rage, and even sadness by saying that despite their endless dust-ups, he doesn’t care about anyone enough to consider the Clown Prince of Crime his nemesis. ![]() Batman spends as much time calling attention to his abs as he does fighting crime, and he devotes most of his one-man assault on a rogue’s gallery of foes in the film’s first action scene to playing a song about how great he is. From its opening sequence, which features Batman (Will Arnett) speaking over a black screen about how black opening screens always signal a quality movie, this spinoff of The Lego Movie successfully transplants the humor of Deadpool to a kid-friendly format, replacing vulgar, smug irony for a more innocent puckishness to which it’s better suited.Īs he did in The Lego Movie, Arnett plays up Batman’s increasingly dark, solitary side, bolstering the hero’s self-seriousness with the arrogance thinly hidden within his individualism. ![]() properties for its characters, its clearest source of reference comes from Marvel, specifically the wisecracking self-reflexivity of Tim Miller’s Deadpool. Though Chris McKay’s The Lego Batman Movie pulls from a host of DC and Warner Bros.
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